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McCartney 3, 2, 1: what the Disney + docuseries is like



McCartney 3, 2, 1: what the Disney + docuseries is like

After more than 50 years from their separation, the love and interest towards the Beatles, the legendary British musical group formed by John Lennon, Paul McCartney, George Harrison And Ringo Starr. Waiting for the miniseries of Peter Jackson The Beatles: Get Back, which will arrive on the platform on November 25, Disney + has published in the catalog McCartney 3, 2, 1, 6-episode docuseries in which Paul McCartney meets the famous producer Rick Rubin delving into the meanders and secrets of his career. A decidedly unmissable project for all music lovers, during which two extraordinary artists talk freely about McCartney’s career, his creative process, his various cultural influences and the different elements of novelty that the Beatles have introduced in their songs, not always recognized by listeners and professionals.

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The common thread of McCartney 3, 2, 1 is not the biography of the famous bassist, but the music itself, from which all the reflections of the couple of protagonists start. It is no coincidence that McCartney and Rubin converse inside a recording studio, with only the company of the troupe, musical instruments and reproduction systems, surrounded by a suggestive darkness and an evocative black and white, which underline the weight. of their words and their reflections. There is no lack of repertoire images, necessary to keep the viewer’s attention alive, but all the analyzes on the pieces that have become part of the collective imagination arise precisely from the musical compositions, which McCartney and Rubin fathom with competence and passion, studying them the greatest advantages.

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McCartney 3, 2, 1: behind the scenes of the history of music

The result of this emotional journey through the history of music is an infinite series of anecdotes, some quite well known such as the birth of Yesterday (which McCartney assimilated during a dream, struggling to believe it was an unreleased melody), others less known such as the memorable Penny Lane’s piccolo trumpet, born from a Bach concert seen on television by McCartney himself. There is also no shortage of stories on the creative process of the Beatles, which according to McCartney was fueled by the need of the same elements of the group to fix in mind the pieces they wrote. At the time, the advanced portable recording tools we have today were not available. Furthermore, as self-taught the Beatles had several uncertainties in writing and reading music, an aspect that makes the scale of their musical production even more surprising.

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It is inevitable to be moved by the sincere respect that Rubin shows for McCartney and the modesty of the artist, who with enviable naturalness reveals all his weaknesses and major sources of inspiration, not failing to underline the indispensable contribution of the other elements of the group. Obviously, John Lennon deserves a special mention, a close friend of McCartney since adolescence and fundamental shoulder of his career. McCartney 3, 2, 1 also gives us in this sense an honest and intimate portrait of John by Paul himself, who does not hesitate to point out the extreme harshness of some of his friend’s character traits, but cannot help but be moved when he remembers the happiest and most creative moments of their relationship, definitively burying the frictions that led to the separation of the Beatles. One of the most touching segments of a docuseries that is already part of the history of music and embellishes the Disney + catalog.